291 gallery造句

• Stieglitz promoted cubists and abstract painters at his 291 Gallery on 5th Avenue.
• He was not satisfied with his role in the 291 gallery as importer of modernist culture.
• Retrospective, 291 Gallery, London.
• In April 1914, he had a solo exhibition at the 291 gallery of Alfred Stieglitz.
• A culminating moment for pictorialism and for photography in general occurred in 1910, when the 291 Gallery.
• Macdonald-Wright exhibited his work at Alfred Stieglitz's famed 291 gallery in New York in 1917.
• He belonged to the group of artists who were exhibited at Alfred Steiglitz'famed 291 Gallery in New York City.
• In 1909, Marin held his first one-man exhibition at Alfred Stieglitz's 291 gallery in New York City.
• Stieglitz was heavily influential in the art world at the time, pushing for photography to be considered an art form and opening his own gallery, the 291 Gallery, with another influential photographer Edward Steichen, to promote modernist art.
• In 1917, when photographer Alfred Stieglitz closed his 291 gallery, he was out of money and disillusioned by the failure of his ambition : to drag America by the scruff of its reactionary neck into the new world of modernist art.
• Alfred Stieglitz exhibited Frueh's drawings in his 291 Gallery, having become interested in caricature through the soft-focus charcoal caricatures of Marius de Zayas, an artist closely linked to the most avant currents of New York's avant-garde.
• Dove was championed early on by Alfred Stieglitz, the pionering photographer and dealer who first showed Dove's work at his 291 Gallery in New York in 1910, and then in his subsequent galleries from 1925 to 1946, the year Dove died.
• In eight decades of involvement with art, Steichen ran the pioneering 291 Gallery, which introduced Matisse and Picasso to American audiences; organized dozens of exhibitions; wrote for periodicals; served in two World Wars; and became the first director of photography at New York's Museum of Modern Art.
• Yet, at age thirty-six, in Paris, deviating from what everyone ( including himself, at times ) called " acceptable " painting styles, Maurer changed his methods sharply and from that point on painted only in a 291 gallery, and four of his paintings were included in the legendary Armory Show of 1913.
• Many first generation abstract expressionists were influenced both by the Cubists'works ( which they knew from photographs in art reviews and by seeing the works at the 291 Gallery or the Armory Show ), by the European Surrealists, and by Pablo Picasso, Joan Mir?and Henri Matisse as well as the Americans Milton Avery, John D . Graham, and Hans Hofmann.
• Dove exhibited his works at Stieglitz s 291 gallery in 1910 as part of the show " Younger American Painters ", which also included Dove's old friend Maurer . and he experimented with techniques, combining paints like oil and / or tempera over a wax emulsion . " Tanks ", 1938 is an example of oil over a wax emulsion; commenting about " Tanks, " the Boston Museum of Fine Arts says : " Set off by a halo of pale gray, the quivering structures almost seem to dematerialize and merge into the surrounding scenery, yet at the same time, they retain their hulking forms ."